Bongsan Talchum Milestone

July 23^rd, 2011

I had a relaxing day—the big action was to meet Tommy (a UCLA grad friend) for coffee as he was visiting Seoul. Otherwise I worked on my computer all day.

July 24^th, 2011

I didn't do much on Sunday except work on the computer, but I went to 정회정 Jung Hoijung's favorite coffee shop near her house and we worked there.

July 25^th, 2011

At Dankook University today we had a good class. I decided to just lecture (no PPT) based off a section of the background (discussing heritage protection systems) of my dissertation- then students led a short discussion of the articles and we practiced 봉산탈춤 Bongsan Talchum. I went straight from class to 선릉 Seolleung where I met Jisoo. We had dinner and she walked me to the training center where I had Bongsan Talchum class. Today class was awesome AGAIN. I will miss practicing Bongsan Talchum more than almost anything when I get back to LA. First it was awesome because again we had a large number of people- 18- including two brand new people. We did the 8 dark-faced monks as solo dances, and I did the 3^rd monk as usual and I made NO MISTAKES in my dance or in the monologue, a day I have been waiting and waiting for. Yes! I felt like I had vanquished a personal mountain, but many of the long term friends in the class knew how I felt about it and were happy for me. We have a college student in class and his mom is also attending (she's really sweet) and she invited us ALL out after class. We went to a restaurant and everyone (except me) had beer and various meaty dishes. The energy amongst everyone was just terrific. 

All the Office Managers of the Mask Dance Drama Association Meet (and I get to attend!)

July 19^th, 2011

On Tuesday I met Kathy and 수미 Sumi from 봉산탈춤 Bongsan Talchum class at Seoul Stn and we three caught the bus to 단국대 Dankook University together. Outside campus we found that 허창열 Heo Changyeol, 황민왕 Hwang Minwang and 유세정 Yu Sejeong were running late. We started on lunch first but ordered for them and ended the meal together.

The class went really well, particularly at first. Changyeol is one of the most charismatic people I know, and despite his lack of ability to speak English he did a brilliant job. First he introduced the four basic percussion instruments to the students and taught them to speak the four different parts to 자진모리장단 jajinmori rhythmic pattern. After that he gave them a chance to play each of the instruments in turn. Every single student played every single instrument, although at times this was somewhat painful to the ears, Changyeol kept a giant smile on his face and the students loved the experience. He also tried to communicate the basic idea of Korean dance, having them move in a circle with bended knees and raised arms and feeling and responding to the music. This was not so successful, but everyone had fun anyway. Afterwards Changyeol performed 문둥북춤 Mundung Bukchum from고성오광대 Goseong Ogwangdae. He was brilliant, of course, because he's one of the most talented mask dancers I have ever seen. Yes, Changyeol deserves the superlatives. Next was Hwang Minwang's turn in the spotlight. Minwang is much more quiet and reserved than Changyeol but he's an amazing artist. He's an isuja for Namhaean Byeolshin'gut (shamanic ritual), as a specialist in music, not as a shaman. He talked about folk songs from around Korea and sang selections of folk songs and then sang shamanic ritual songs from different areas as well as demonstrating the 태평소 taepyeongso. It was really great.

Sumi, Kathy and I were heading in a different direction than Changyeol and Minhwang who had to drive Sejeong home before they'd go back to Seoul, so we separated after class. I ended up walking around central Seoul with Kathy, we met up with her fiancé, Tim, who I also know from LA and had a wonderful dinner.

July 20^th, 2011

On my day "off" I was very fortunate to have been asked if I'd like to attend a meeting of all the office managers from all the mask dance groups in Korea—the meeting was happening at 은율탈춤 Eunyul Talchum's office in Incheon—and 김영숙, 탄종원 picked me up so we could go together. I received clear proof that I was widely trusted -- I was worried that although escorted to the meeting by Songpa Sandae Noli's office manager that I would be kicked out at the start or before sensitive discussion, however when we arrived (somewhat late) it was to a flurry of jokes about whether I was the Songpa Sandae Noli American-branch representative or if I represented the interests of all Korean mask dance dramas in America. I stayed for the entire five hour (including excellent lunch) meeting which in addition to painfully choosing the date for an all group inclusive festival also covered financial details pertaining to the association (I even left with photocopies specifying expenditures) and contained frank information sharing and strategizing for future performances and festivals. I was allowed to record the entire meeting, contribute views and fact check.

In the evening I met 정회정 Jung Hoijung for dinner and a work session in a café near her house—we ignored each other most of the time and worked intensively on separate projects. 

Gyeongbok Palace and Patbingsu

July 17^th, 2011

I worked on the computer in the morning then went to meet 박연식 Bak Yeonshik (from Bongsan Talchum) and his friend Haeri. She knows a ton about 경복궁 Gyeongbok Palace and palace architecture etc in general and she gave us a personalized awesome tour. There were so many things she explained I wish I had known when Aimee, Hengyi Shr and my mom were visiting. Unfortunately the sun was baking (okay, at least it was sunny!) and I was in a tank top and I became horribly sunburned.

We went to a really great 팟빙수 (shaved ice) place and I had one made with Omija, which is my absolute favorite flavor, but I've never seen it offered for shaved ice before!

I had a date with 세정 Sejeong at 5:30 but showed up at Namsan Hanok Village early, allowing me thirty minutes of happy dancing and photography with my Gaejeonyeon and other 임실필봉농악 Imshil Pilbong Nongak people. Sweaty I joined Sejeong, who was feeling very physically exhausted, and we decided to have dinner and then watched the latest Harry Potter film. Afterwards we had a long discussion of her problems with finding the proper focus for her studies.

July 18^th, 2011

I went to teach at Dankook University, and it was a fairly good day except that it was the day to introduce both mask dance dramas and pungmul music to the students, plus go over two readings and have a discussion related to teaching and learning traditional arts. Of course we also had to have our time to practice 봉산탈춤 Bongsan Talchum but most of the group was complaining that they hurt all weekend after practice on Friday. That's cause we're at the point in the basic motions routine where we squat and jump into the air repeatedly. It is both exhausting and for people with lame squat muscles, painful the next day.

After class I took the bus to 강남 Gangnam instead of near home and just went straight to the training center. I asked 장용일 Jang Yongil a few questions related to research and talked with him and the office manager and then headed to class. Today 김은주 Kim Eunju was back. It was so much easier to have class with her that all night the students kept calling out loudly "you're so great!" and "what an excellent teacher" etc. when she didn't make us repeat motions to the end of the routine (when they're all the same anyway). We had 16 students. 17 or 16 every class while Jang was teaching, too, even though every time someone or the other is absent. But my sunburn had me exhausted and weak and I did a terrible job all night. 

Baramgot Performance

July 14^th, 2011

Had class at Dankook University, the day started to feel like we were establishing a routine as a group, and we knew that we wouldn't have any more membership changes—our group is Amada, Caitlin (Theatre major), Chiayu, Hai, Abigail, Jessica (our only person with Korean heritage) and Alyssa. They're all really sweet. It's hard for some of them to do the type of reading I have assigned because they're not from the humanities, but they're all doing a great job trying. And they are learning the Bongsan Talchum motions faster than I expected, especially Hai.

In the evening I went to see 바람곳 Baramgot, a mixed fusion gugak group. Won Il is the artistic director and he plays 피리 piri and percussion for the group. There is also a 거문고 geomungo player, a 가야금 gayageum player, and a 대금 daegeum player, but the part that fascinates me and the songs I enjoyed the most were when they incorporated sitar (the sitar player also played percussion. The music was rather intellectual, and I definitely preferred certain pieces, esp. with the sitar, but it was all interesting. And there was a great guest performance by a group called 유희 spelled U-희(hee) which I think is stupid, but whatever. They're all Korean National University of the Arts graduates, all from the 연희학과 Folk Theatre Department. At the show I coincidentally ran into Lisa Kim Davis with a friend and also 기영 Giyeong. After the show I gave Won Il one of Karjam's CDs and we talked a bit more about him coming to play in Korea in October.

Dankook University Class Begins

July 10^th, 2011

I had a big staff meeting, meet the students, lunch event thing at Dankook University. Nothing much of any research related interest.

July 11^th, 2011

I was really worried about how many students I'd get and also worried some of them might be just shopping around. We talked about the class, did an exercise to create a cultural literacy test for Korea, I gave a short lecture and we had our first practice of Bongsan Talchum. It seems I have seven students (two more were just checking out the class).

July 12^th, 2011

The second day of class went much more smoothly as I wasn't worrying about who or how many would show up and just focused on teaching my lesson. I hadn't assigned anyone to present on the reading so I had prepared to foster a discussion myself—but only a couple of them had read it. I promptly assigned the rest of the readings to different students. At the end of class Abigail brought a friend in from another classroom and the girl, Jessica, asked to join my class as she'd fallen asleep in her other class. Abigail assured her it wouldn't happen in my class. The frustration for the day was finding out that they still hadn't made my reader, because they'd given me the originals the previous day—why did you give them back to me when I took them to you over a week ago, you could have just kept them! 

In the evening I went to a lecture on Buddhism by Robert Buswell, an amazing UCLA Buddhist studies professor who I really like. I just wanted to see him, fortunately since the talk didn't have much new (to me) information in it. He is an excellent speaker, though. 

Catching Up

June 25^th, 2011

We went to the studio but really had nothing to do except talk a bit and take some commemorative photos.  In the afternoon I went to 송파산대놀이 Songpa Sandae Noli it was only 함Sr. and 함 Jr. who showed up (it was raining cats and dogs). However, it was still good, esp. because FINALLY I got Ham Wanshik (Sr.) to give me a nice long interview.

June 26^th, 2011

On Sunday after lots of computer time Karjam and I roamed the city with a video camera.

June 27^th, 2011

I did a lot of work on the computer and reading.

June 28^th, 2011

I went to Dankook University this morning and dropped off my reader pages.

I did some work on the computer and in the evening went to a dance performance because 박연식 and 손병만 were in one of the groups. To tell the truth I had not been looking forward to the performance. It was a big omnibus performance with four different teachers, 한혜경, 김은희, 진유림 and 이정희. I have seen one of them do a big show before and it was quite a waste of time, but this time the other three were okay, pretty good, and really good, so it was not a bad show overall.  The really good was 이정희, who was also the teacher and leader of the performance that Son Byeongman and Bak Yeonshik were in (each teacher did two performances, one solo and one group).

But what made the show for me was that I had the best seats I've ever had. Which is a bit of a story. Yeonshik had asked me (three times) how many (free) tickets I needed, and I'd told him two. I was a little chagrined when Karjam decided not to go, but he's been to a lot of Korean dance performances, and some haven't been so good, so I understood. I didn't have time for dinner, so I quickly found a 삼각김밥 when I got off the bus and ate it as a I walked to the hall. I got in about 10 minutes before the show. And Yeonshik had not gotten my ticket to the counter and processed, which meant that –after- I met up with him (you should have seen the make-up he had on! And the fake eyelashes so long they must have tickled his eyebrows.) I had to try to redeem a 초대권 invitation ticket for a real ticket, but the show was sold out… so no chance of that, except a bunch of people were mobbing the desk trying to be let in to sit on the floor in the aisles. I couldn't handle pushing, and was standing back and suddenly a woman I know from 봉천놀이마당 Bongcheon Noli Madang but had only met once ran over (everyone was already entering the theatre, since it was now 2 minutes to showtime) and asked if I was alone and gave me a ticket. It was a 30,000 won ticket in the center section 3 rows back from the stage!!! And she refused to take any money for it.

I would have stayed very happy if only after the show it hadn't been raining (and I had no umbrella) so I jumped on the first bus that came, but it was heading the opposite direction of what I thought and I ended up taking the LONG LONG LONG way home.